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The Guest Star

The story follows two students of the Great Library of Alexandria in their scientific search for knowledge at the end of the second century AD, portrayed from a slightly different perspective and beyond the commonly accepted clichés in Roman Empire history. The Guest Star is also a historical adventure in which ancient Roman and Chinese cultures intertwined at the start of the Silk Road, several years before the first major civil war erupted after the death of Emperor Commodus. The main character is based on the life of Herodian of Antioch, a Greek historian and author of "History of the Roman Empire since the Death of Marcus Aurelius", in which he describes the reign of Commodus, the Year of the Five Emperors 193 AD, the age of the Severan dynasty, and the Year of the Six Emperors 238 AD.
Herodian had no scholarly pretensions at all and wrote only about the events of his time or those he witnessed. His distance from Rome made him independent, unbiased, and uncritical, and his only book is a volume of vivid information that is very interesting to read.

The following preview of 'The Guest Star' includes the prologue and the first chapter. I sincerely hope you enjoy reading it. "The Guest Star" is featured on Amazon's Kindle after evaluation by several beta readers in months prior to its release.



Read preview on Amazon

PROLOGUE



Alexandria welcomed early December following an unusually warm autumn. The year 938* of the renewed Roman calendar was about to expire, and Hero was anticipating that the next one would be the most challenging in his entire life. He celebrated his birthday today, and within the year he was expected to complete his first master's degree program at the Great Library. A day after reading Ptolemaîos' Almagest, the scroll he was fortunate enough to find in the Antioch atheneum, Hero knew that Alexandria had to be his next destination. He had spent the past five years on campus and now he felt he had reached a turning point. Hero came to the realization earlier today that the weight of his obsession with Imperial history and the tales of the past was becoming heavier by the day, and that he needed to move on. He made his final decision here, lying on a little carpet in front of the southern city walls, gazing up at the starry sky. With his own papyrus and quill, he would set off to explore the world as soon as his course was over. Rome first. All roads lead there anyway.

"Here's our birthday boy!" He could hear Cassius's hulking baritone coming from the dune beside him. Hero waved at him a little embarrassed. He didn't intend to avoid hanging out with his best friend tonight, he simply needed some time to himself to reflect on the last year.

"Did you know there's a new play by the Greeks at the beach theater? Everybody's talking about it." Cassius and Lucia appeared behind him, carrying a bottle of wine and three cups. "What's wrong with the Pharos promenade? I thought you'd be there tonight."

"The fire is too bright. From the beach, I can't see Mars." Hero said and moved to make room for the couple. Cassius was a few years older, but their minds were nearly the same age, with similar interests and aspirations to visit Rome the following year. Lucia was one of the smartest girls in the class, and Hero always envied Cassius a little because of the two of them.

After pouring the wine, Lucia added some hot water and a dash of sea salt. "It's from Cass' grandfather." She gave him a kind look with her beautiful dark eyes. "The best wine you can taste anywhere in Bithynia and all the eastern provinces."

Lifting his cup, Cassius stroked Hero's shoulder and coughed to gain attention. "To Herodian of Antioch, a future citizen of Rome and the youngest public servant in the history of the empire. May the ink he always carries in his left pocket never run dry!"

"Thank you, Cass." Hero said with a boyish grin. "I know I wouldn't be here if it wasn't for your support. I owe you a great deal. To our friendship!" He raised the cup and gulped it down. The wine was sweet and tasty, but he knew what more than one cup of it might do to him. His gaze fell upon Alexandria's southern fortifications. "It will be hard to leave this city. It's amazing that it even exists. When it's all over, I'm going to miss it a lot."

After emptying their cups, they took a seat on Hero's carpet and looked toward the invisible horizon to the south. Though tainted by the faint glow of the city lights and the massive lighthouse fire to the north, the blackness was sufficient to see the entirety of the active sky above their heads.

"So you're here for Mars?" It only took Lucia a moment to locate the bright reddish dot a dozen angles to the left. " What is it about tonight that makes it special, Hero?"

Hero produced a piece of papyrus that showed the complex curve of his observation of the wanderer. Along with each point he drew, he included the date of observation. "For the past two years, I have been coming here once a week in an attempt to understand the movement. It's incredible... Mars appears to be determined to reach the horizon this year. Take a look. This is from two months earlier, before a slight backward motion, and then the wanderer furiously went back on the original course. It's like, I don't know... Although not last year, Mars did the exact same maneuver two years ago. In fact, last December, the path of movement was quite different. I'm trying to figure out what's causing her to..."

"Her?" Cassius cut him off. "You know it is named after the god of war himself?" He laughed in an odd way. "Your bloody wandering star has nothing soft or feminine about it. Only signs of future wars... Mars has never been a good portent. The scrolls are full of it."

"Cassius, you know you're an idiot sometimes?" Lucia looked at him the way many of their astronomy teachers did when they talked about superstitions and tales. "Not even the centurions believe that anymore."

"Yes, they do." He continued to stare at the sky while he replied. Though his scientific intellect was unable to put the riddle behind him, it was evident that he was not fully at ease with religious folktales and legends. "So you are saying that Mars is heading for the horizon? Where precisely?"

Hero glanced at his drawing for a moment before pointing. "Right about the..."

As his finger moved toward the sky, a faint spot on the horizon started to glow quickly. In a matter of moments, it had grown to be twice as big as Venus and much brighter, shimmering and glittering in a variety of colors, but primarily orange and white.

Lucia screamed.

They slowly stood up and were frozen in time for a long while. In the absence of Luna that night, the night sky was surreal. The newcomer appeared to have taken the sky from the other stars and was waiting ominously at the edge of the horizon.

Apparently with Mars quietly moving towards it.

Out of nowhere, a gentle breeze swept over the dune, causing a slight chill in the air. It was Cassius who reacted first.

"You still don't believe in bad omens?"




DEPARTURE
Alexandria, 8 months later


Lucia picked up an excerpt of a scroll from the floor, one of several that surrounded Hero, and read it aloud: "There is always a divine omen that might foretell times of crisis. Sometimes the star remains visible during the entire day and night, encapsulated in rainbow colors, or another one comes extended to an enormous length and seems to be hanging in the middle of the sky." She gave him a confused look before taking another. "Before the war of the deserters the heavens were ablaze." She gracefully hopped over a stack of papyri fragments, multiple open scrolls, and what appeared to be ancient, reddish-colored clay tablets, and kneeled to confront Hero. He appeared to be completely unaware of her presence as he gazed at the piece of papyrus he was holding in his hands. Taking it away from him, she exposed a text that appeared to be rather old. The text was written in Greek and Latin, and a significant section of it was inscribed in pictographs.


"You become obsessed with that portent. Hero, you must let it go." She sat down and gave him a friendly nudge on the shoulder. "It disappeared four weeks ago. Whatever it was, it's gone now. Perhaps it was simply one of those jokes that the gods play on us. We may be too insignificant to understand..."

"It was not a portent."

"What else could it be?"

Hero snapped out of his thoughts and looked around. He became aware of the scattered books and documents and began to collect them. "It was there for eight months, fading in and out, like a fire." He gave her a direct look. "It was far too detailed and long-lasting for a simple explanation, such as portent. They are usually... I don't know. They make their appearance, and then... well, they disappear not long after that. Like shooting stars. Or bloody Luna."

"Come on..." She tried to sound positive. "You discovered it on your own in the scrolls. The heavens above always appear as a warning to the people below. That's how we've always been taught." She paused in the middle of a thought. "I mean..." Lucia averted her gaze to hide a tear. "When my father went to that war... that morning, at the door, when I saw him for the last time, I knew I would never see him again." She turned her attention back to him. "I just... knew. I don't know why. Or how."

"That was different." He gently wiped a tear from her face. "I know how much you loved your father. You just... You just didn't want him to go away. That's all."

She got to her feet and wiped her dress, more out of habit than to remove the dust from the marble stairway, the place she knew she'd find Hero. He was always there when he was doing research or reading books from the library. While the public reading room was always packed with students, its main purpose was to facilitate debate and discussion rather than to provide a quiet place for reading.

"You're probably right. We need to pay more attention to the reason. We can be blinded by our emotions." Lucia helped him pick up the books and documents that were lying on the floor, then handed the papyrus with the pictographs back to him. "Where did you find it, anyway?"

"It was in the Ptolemy's 'Geographia'. In his Greek manuscript. This is his handwriting. It was not part of the book, but most likely inserted at a later point in time."

"Did you manage to find out what it means?"

He picked up the note and gave it a quick look for a few moments.

"It means I have to go to Naissus."

"What?" Lucia watched, confused, as Hero had already disappeared around the corner. "Wait! Hero!" She ran after him. "But we're leaving for Rome the day after tomorrow! We made an agreement with Cassius' grandfather. You know that! He made all of the arrangements."

"There's a road to Rome from Naissus, too." Hero's voice could be heard echoing down the hall. "I just need to find somebody. I need some answers."

She knew better than to follow him any further and came to a stop at the gate as she saw him enter the scroll room. She stood there for a while, unsure of what to do.

"Where in the name of the gods is Naissus?"


* * *


Cassius was not happy to leave Alexandria. He loved it here. The last three years were the best period of his life. He enjoyed listening to all the history lessons and engaging in philosophical conversations with the students and teachers.

True, he often argued with old-school historians who believed history was nothing more than a collection of factual stories and that future generations should not study and learn from their forefathers' mistakes and triumphs. He was aware that he could be stubborn in defending his position at times, but understanding historical events is not always easy. Particularly if they occurred centuries ago.

Occasionally, he would spend long hours with his closest friends discussing a specific war or trial that took place in a distant province or in Rome itself. Such as those that occurred in Dacia or Iudaea during the previous century, or all the events that occurred during the hazy period following the death of Marcus Aurelius.

If he had been born during those times, he knew exactly what he would have done. Most other students, on the other hand, did not give more than a few second thoughts when the primary subject was the history of the Roman empire, whether it was recent or distant. When he attempted to participate in a more in-depth debate with others, they ignored him, usually with deceptive excuses.

Even Lucia told him that he was overly biased in his interpretation of historical accounts. Maybe she was right, maybe he was too emotional on occasion. Nevertheless, the Alexandrian period in their lives was coming to an end, and the new chapter would begin in Rome as soon as next week, which he was very excited about.

Cassius stared at his baggage, wondering if he had packed everything, when Lucia burst through his room's basic wooden door.

"Hero is not coming." She failed to hide a sort of 'I told you so' expression on her face. "I've just talked to him. He is going after the clues from the scrolls."

"Where?"

"I'm not sure, he was vague when I asked him." There were so many bundles and travel bags, and Lucia had a hard time finding a spot on the bed to sit. "Cass, you know we're going to need two extra horses just for your luggage! Have you grabbed the entire scroll shelf from the peripatos room?"

Cassius rolled his eyes, as he usually did when she said something like that. And lately, it had happened more often than he was willing to admit. He wasn't sure what that could mean. Lucia was more important to him than any other girl he had been seeing before Alexandria. He thought he knew her well, yet she was constantly surprising him. He wanted to respond better, but in the end, he merely shrugged and went for the exit.

"I'll talk to him. Please don't mess with my stuff."


* * *


He found him in the dining room after searching every room in the Caesareum and Serapeum buildings. Hero sat alone on the long table, with only a few military-looking scrolls open in front of him. He was taking notes from one of them when Cassius sat down next to him a moment later.

"Cohorts of Roman archers in the Upper Moesia region from the first century" Cassius read the title from the scroll. Along with a date that stated that it was almost a century ago, Hero's note contained a name and the military rank of a person. Cass grabbed the note from him.

"Tiberius Claudius Valerius, pilus prior, Cohors I Cretum, stationed at Timacum Maius, prior to the Dacian wars, a.d. IX Kal. Mai. DCCCLIV A.U.C." Cassius read aloud. He flipped the note revealing a second inscription. "Tiberius Claudius Valerius, n. Hierapytna, Crete, u.c. REG⁠·XI-INS·⁠V, Naissus, Moesia Superior."

"Since when you are interested in military history, Hero? Who's Tiberius Claudius Valerius?"

Rummaging through the books open on the table, Hero found an open scroll and in a few moves unrolled it to the section titled "Κλαυδιου Πτολεμαιου Γεωγραφικης Υφηγησεως - βιβλιον πρωτον". He rolled it couple of chapters further to the section "Δαρδανίας - δ΄ πόλεις Ναϊσσός, Ἀρριβάντιον, Οὐλπιανόν καὶ Σκοῦποι", which was the last entry in the chapter and before the next one began there was a small papyrus inserted to it with almost illegible handwriting and strange vertical icons.

"I found this note in Ptolemy's book. There was a brief Greek translation, and it was written in some letters that were used in ancient civilizations. Like pictographs from Aegyptus. It's possible that it dates to a time before the ancient Greeks, or perhaps further back in time. This document was signed by the pilus prior centurion of the cohort with the initials 'TCV.' It was not difficult to find him in the library. It's not much, but it's a start. The question is, where did he get it, and is there any other information out there? Explanation maybe."

Cassius looked at him in disbelief.

"It was eighty-five years ago. He is dead, Hero." He got to his feet. "After such a long period of time, there is nothing to discover. Just let it go, would you? Let's go to Rome. You belong there. With us." Cassius tried to be compassionate but failed. "You became obsessed by what we saw. It was a message from the gods, some sort of prophecy of Rome's future. Nothing else."

"If it was meant for Rome, why couldn't it be seen from Rome?"

"What?"

"In the previous few months, I asked a lot of people who had traveled from Rome to Alexandria. Nobody witnessed it. Not even the sailors from the north. It could only be seen from here and further south."

Cassius stared at Hero for a long moment, thinking about it.

"It was an omen for Alexandria, then... Have you heard the rumors about a new religion from Iudaea? They claim that they will eventually arrive in big numbers here at some point in the future. From what I've been told, they may be aggressive. They consider Rome to be their only enemy."

Hero stood up as well and began packing the scrolls and his inscriptions. He was aware that Cassius might be right. He came upon a group of religious followers of Valentinus, an Alexandrian philosopher who, a few decades ago, began actively teaching the new dogma about a divine entity that incorporated a human form and who, after being murdered by Romans, resurrected to the heavens. He came across this group not too long ago. That evening, while he was walking along the promenade alongside the lighthouse, they were, to put it mildly, rather intrusive toward him.

"I know there's some truth to that... But you know me, Cass. We witnessed something extraordinary. If there's a way to learn more about it, it's worth a try."

Cassius gave him his best friendly smile. Despite their slight age difference, Hero was his best friend here. But he was right, Cassius knew him well. Whenever Hero had something on his mind, he was aware that there was nothing he could do about it.

"The note. Can I see it again?"

Hero reached into his pocket, pulled out a copy of the papyrus, and handed it to him. Cassius took a good, long look.

"Νεόφοιτος αστήρ ἀνατέλλω." He read it with a heavy accent. "My mother is Greek, and I thought I had learned all the variations from the classic period, but this particular writing..." Cassius stopped for a moment. "What does it mean?"

"The new rising star."


* * *


Usually there is not much of a difference between the hot weather of late summer and the first half of September in Alexandria, but this morning was exceptionally cool. Small boats that were anchored in the port of Alexandria were being tossed around wildly by the wind that was blowing from the sea. Even larger merchant ships, which were also tied in the second row of the dock, were not immune from the dangers posed by the morning storm. Despite this, many sailors and port workers continued their daily routine of unloading ships by passing each other bags of spices and amphorae of varying sizes, most of which were loaded with wine and olive oil, as well as crates of grain and meat.

"Hero!" An echo of Lucia's voice could be heard across the bustling port as she made her way through the crowds and stacked merchandise on the quayside and the wooden platforms that were located at the entrance of the docks. She was on her way to the commercial section of the port, which was one of the largest in this part of the Mare Internum.

This morning, most anchored commercial ships were sturdy corbitas. These were bulky vessels with a stout hull up to 20 gradus' long, inherited from the classic Greek period, more than capable of carrying half a million libras of weight. If it was possible to squeeze inside, they could carry a whole family of elephants. Because of the way they were built, the corbitas could sail even in extreme weather.

Lucia stepped onto the stacked boxes at the beginning of the first pier and searched for Hero among the dozens of dock workers. After doing the same thing in front of the next three piers, she was eventually able to recognize him in the distance. He was engaged in conversation with the ship's captain, clearly trying to persuade him to board the ship for its return trip, wherever that might be.

"Hero!" She shouted as she made her way towards the end of the pier and the corbita that Hero was standing in front of. The wind was howling, and he was struggling to keep his dark hair from concealing his face. The bald captain of the ship finally shook his hand, and Hero turned to go back ashore. At almost the same time, rushing towards him, Lucia bumped into a sailor who was organizing the workers and almost fell into the sea.

"Lucia!" Hero hurried over to take her hand. He couldn't help but smile as he watched her stand up in a comical way. "What are you doing here?" He guided her to the side of the pier, where there were fewer workers around. "I mean, Alexandrian docks aren't exactly the same as the promenade. It may be dangerous, and I'm not talking about the slippery pier."

"I know..." Lucia held on to the small wooden dock's pillar with her free hand. "I was looking for you at the dorm and the dining hall. Cassius' grandfather has arrived. They want to plan the trip to Rome and the details for tomorrow."

"I am not coming with you two, Lucia." Hero tried to conceal signs of emotion on his face. "I've just booked a ship across the sea."

"I know. I saw you did."

"Why are you rеally here?"

"I..." After a little hesitation, Lucia raised her gaze to his eyes and peered into them. "I thought you would leave without saying goodbye."

"I would never do that. The ship will set off the next morning." He offered her a second hand, and she took it. Her long black hair was a jumble in the wind, and her dark eyes were unusually perplexed, yet her entire appearance reflected what Hero had always thought of her, a rare blend of brilliance and beauty. He knew Alexandria and the library would not be what he would miss the most when he departed tomorrow. But that's probably for the best.

"Come on, let's go to breakfast."


* * *


In every library building, there was a breakfast nook that was a part of the dining room. In this area, all of the food was arranged at a single huge table, and the students were typically engaged in active conversation while standing. It was more of a place where the events of the previous day were summarized, and some of the arguments that took place the day before were either concluded or continued.

But what Lucia and Hero discovered in the room after they had returned from the harbor was not merely a typical quarrel taking place in the morning. Gaius Augustus Dio, Cassius' grandfather and an old merchant from Rome, was sitting at the breakfast table, surrounded by Cassius and his classmates, as well as others from the library's history and philosophy classes.

"I am telling you, he is more interested in games than in all the political affairs of the empire." Gaius was in the middle of a conversation. "The last time I saw him, before I left Rome, he entered the arena like a Murmillo, only with a gladius and the smallest scotum shield. He fought five retiarius slaves, killing three of them. The man is really insane."

Everyone had heard of the new emperor's strange behavior, but it was unusual to hear it firsthand outside Rome. There was widespread anticipation that Marcus Aurelius would be succeeded by someone else. In the past, it was quite uncommon for the emperor's own son to be the heir to the throne. It was, to put it mildly, a source of irritation for Cassius, and he was unable to fully accept it.

"The rumor is that Commodus is not actually the son of Marcus Aurelius, but of a gladiator his mother slept with." Cassius took the stage with an unusual passion. "We are all aware of the things that have been said about Faustina. She was one of the few mistakes that Aurelius made. She was more equipped for a lupanar and was nothing more than a ..."

At that moment, Lucia left Hero's company and took a few steps down to the dining room floor.

"Cassius!"

She shouted from the entrance of the dining room and hurried to the nook as quickly as she could. She moved past around twenty students and gave him a light forearm squeeze. She met his gaze, and the two of them exchanged glances for a while before she finally found the right words.

"You know that it is illogical to debate about anything in the absence of evidence or reasonable doubt. This is not in the spirit of this place. We're meant to be scholars above gossip and rumor. This is not the library way. And it's not real observation and scientia."

"Lucia..." Cassius started but then stopped.

"Look." She could sense his hesitation. "I am impressed by the research you've done on Marcus Aurelius, as well as the historical point you have made regarding the reasons why empirical governments are currently more beneficial for Rome than the republic or pure Greek democracy. I couldn't agree with you more. I really do." Lucia raised her arms in the air. "But this... This is not you." She stopped, realizing she had gone too far in front of Cassius' friends and grandfather. She lowered her head. "Cassius, I am truly sorry. Please, can we go?"

"No... You are right." Cassius calmed down. "I am really sorry. You are totally right." He burst out laughing and faced his grandfather. "Gaius!" He hugged the old man and gave him a friendly punch in the chest. "Why am I always acting like this with you around?" He pointed toward him. "You've always been a bad influence on me."

He took Lucia's hand. "Come on, let's go. Let's go finish packing, and then we'll make the most of the last day we have here by doing something nice. How about taking a camel ride and having a picnic in the desert?"

"That sounds wonderful."

"We sail out tomorrow after breakfast." Gaius said. "Don't be late. It's a long trip. We should take advantage of this wind while it lasts."

"Don't worry, we will be there on time." After saying that, Casius and Lucia made their way toward the exit and the dormitory. As soon as he put his arm around her shoulder, they were back to being a couple engaged in vibrant conversation, as they were known to be in the circles of the Great Library. Cassius' laughter was sincere, and he was back to his usual self.

Upon arriving at the door, which was somewhat narrow, Cassius was the first to enter it and then vanished down the corridor. Lucia took a step behind him, but then stopped for a moment. She turned her head back towards the corner and the area behind the tables, but Hero was already gone.


* * *


Hero finished packing and waited until noon to transfer his belongings to the corbita. It was a cargo ship, and he made a nest out of crates and sacks inside the belly of the ship. He decided to spend the afternoon alone in his room before leaving early the next morning. The ship was set to leave the harbor at first light.

He went out in the evening to bid farewell to all his classmates and friends, including his teachers. In the hopes of finding Cassius and Lucia, he made the decision to go for a stroll along the promenade around the lighthouse. The windstorm had ceased, and the sky had cleared up by the time night fell. But they were nowhere to be seen. He thought that it was probably for the best.

In the morning, the wind returned, and at dawn, he left the empty library and headed for the harbor. He couldn't put into words how he felt about the last five years in the library and everything that happened at school. Even though it was without a doubt the most fantastic time of his life, he couldn't shake the feeling that he was emotionally depleted for some reason. He refused to think about it further because he was afraid of the answers.

Following his arrival on the fourth pier, he proceeded in the direction of the distant corbita. He tried to focus on his future journey and what was ahead of him, but he couldn't. He was experiencing a great deal of bitterness in his gut, and Hero once again refused to understand the reason for this. Maybe it will always be like that when one phase of life ends, and another begins. Maybe...

The moment he laid eyes on the ship, he came to a sharp stop and his gaze remained fixed. For a short period of time, the wind ceased, and a sliver of sunlight appeared through the clouds. It was a little surreal, but just for a moment, until he realized that all the bitterness he felt walking from the dorm to here had completely vanished.

Lucia was standing on the deck, with a tiny knapsack in her hands and a travel bag by her side.

Can I Change the World Alone?

Can I, one soul among billions, truly change the world?

It is the kind of question that begs for a simple “no.”
And yet—how dishonest it would be to dismiss it so quickly,
as if a “yes” were foolishness not worth a second thought.
For saying “no” outright denies even the tiniest ember of wonder,
and saying “yes” assumes a world so perfect,
so pliable to desire,
that a single hand could shape its course.

But the world—
this world—
is far from perfect.
Perhaps it never was.
Not even in the days when humans were few,
and the earth breathed with more silence than smoke.

There was once a man—
just one—
who discovered how to summon fire from stone,
no longer needing to wait for a jealous sky
to throw a lightning bolt into the trees.

Later came another,
who saw in the quiet soil behind his home
a future full of golden grain,
and chose to plant,
rather than wander the wilds
gathering what grew by chance.

But not long after came others,
who dipped arrows in flame,
and aimed them at their neighbor’s fields
out of nothing but spite.

And when the mammoths had all fallen,
a man who had once hunted them
thought to keep animals close,
safe in pens beside his home,
no longer chasing shadows through snow.

Artists came too—
their fingers stained with earth and dreams—
painting their myths upon cave walls,
especially images of those who hunted mammoths,
but they never once sketched the man
tending his flock in the early dawn.

And then, cities rose.
And flags.
And languages that bound people together—
and others that tore them apart.
Some dreamed of harmony in shared speech,
but others forged weapons to silence every tongue
that was not their own.

Still—there were those I admire most:
those who saw the invisible threads of the cosmos,
who crafted wheels that turned without horses,
and wings of metal that sliced through clouds.
There was one who learned
that light moves faster than anything imagined,
and that even the atom, so small,
could be broken further still.

But knowledge does not choose its masters.
Others took that sacred learning
and shaped it into fire meant to devour cities—
dropping it from machines
that had once been symbols of flight and freedom.

And one man,
drunk on the illusion of his own blood,
marched toward conquest,
believing he was more than mortal,
waging war upon the world itself.

Then came the singers—
the dreamers—
those who believed peace might bloom
from long hair and guitars.
But soon behind them marched
a different song,
a different rhythm,
heavy boots on cold concrete.

All these figures blur now,
spinning through my thoughts
like ghosts in a restless wind.

But one thing—
one truth—
remains:
None of them, not one,
truly changed the world alone.
Not in its entirety.
What they changed
was the world they could touch—
the corner they called their own.
Yet even that,
small as it seemed,
rippled outward.

Not always as they intended,
but always, somehow, it mattered.

So now I ask myself—
Do I want to change the world?
To try, alone,
to offer something
that might bend history toward light?

But what if I’m misunderstood?
What if my gift
becomes a weapon in stranger hands?

Could I bear that weight?

Maybe it is better not to change the world alone.
Maybe the world should not be shaped by one hand,
but by many—together.

Because in the end,
this world does not belong to me.

It belongs to all of us.

a poetic prose essay and cover image by OpenAI, based on an original text & idea

Uranium Bike Tour

After the Second World War, another tide of the arms race slowly but surely began to develop in the world. With the first nuclear power plant built in Obninsk back in 1954 in the former Soviet Union, it became clear that atomic weapons and the nuclear industry overall would mark the second half of the twentieth century. Today, about 80 years after the first nuclear reactor ever built, "Chicago Pile-1", the current numbers for the commercial use of nuclear power indicate that 50 countries operate about 220 research reactors, with as many more operating power plants in the majority of these countries. The military numbers are expected to be even higher, and the fact is that nuclear submarines and ships can be equipped with multiple nuclear reactors on board. Some of the aircraft carriers can have up to eight of them.

The AI representation of cyclists on the 'Uranium Bike Tour' :-)

Of course, all those nuclear reactors require nuclear fuel to operate. In most cases, it is the enriched uranium (U-235) isotope produced from the uranium concentrate powder called yellowcake, which is an intermediate step in the processing of the uranium ore and usually produced directly in the mines. During the 1960s, world demand for uranium ore skyrocketed, and many countries joined the ride. Serbia was no exception. The only deposits of uranium-oxide-rich ore in Serbia were found near the small town of Kalna, some 50 km east of my current place of residence, and in a short period of time, shrouded in secrecy, the uranium mine operated fully and produced a respectable amount of yellowcake (UO₂) and even a significant amount of metal uranium as well. **

In the beginning, even the miners believed they were digging ore for the production of copper and gold. Only three people in the mine knew the truth. After four years of production, the mine was closed, the pit buried, and the operation moved to a more profitable location. The old mine is still there, inaccessible as it is, and the old buildings are still standing but locked and sealed. The soil and aerial environment are tested regularly, and even though the radioactivity is slightly above normal and most likely deadly deep in the ground, on the surface the entire area is a safe environment to live in. However, many believe that the story of the site is not over and that more ore veins are still waiting to be found.

The 'Uranium Bike Tour' path and elevation

In the meantime, due to the expansion of tourism in the Balkan Mountains, recently the road has been rebuilt, and it is now perfect for cycling. The local cyclists, both professional and amateur, and those, like my son and me, who are considered to be enthusiasts, love the path for testing the limits, entertainment, and health. Last weekend we spent more than six hours on our wheels enjoying a pretty hard and elevated track, which is 58 km long and more than 400 meters elevated from the starting point and the highest point on the way. We call it the "Uranium Bike Tour", and it's something we started to do last year. In the image above, there are both trajectory and elevation lines. It starts from the city of Niš, passes through the small town of Svrljig, goes through several villages on the way, and crosses the phenomenal landscapes almost the entire way.

The video below is made out of a GPX file of the entire track, created by Fabien Girardin's amazing tool from his Rumbo* website. As for the track itself, and to be completely honest, we didn't go all the way this time because we rode our heavy mountain bikes with fat tires, which are not the best option for this kind of trail, but when we turned off the asphalt to get to this weekend's (family) destination, the dirt road ride was almost effortless.


The 'Uranium Bike Tour' GPX video illustration*

Geographically lying in the heart of the Balkan Peninsula, just 27 kilometers away from Niš, the small town of Svrljig, which we passed three hours after departure, is acting as the capital of a relatively small Serbian land surrounded by exactly 38 villages. The entire complex of its southern mountain range is called 'Svrljig Mountains', and the track is following the path just next to them. The highest peak, Zeleni vrh, has an elevation of 1,334 meters above sea level and was the impressive site just next to the road on the 40th kilometer of the tour.

In just half a century, the human population of the area has more than halved, with more and more villages containing more empty houses and those in which more people die than are born. Rural environments in this part of the world are more or less the same, and while cities are becoming larger and larger, the economics and agricultural fate of small villages are grimmer by the year. To me, it's far away from elementary logic, and I only hope this trend will change in the future.

The landscape from the village of Vrelo, near Svrljig

The same goes for the final destination of the tour, the once small town of Kalna, which flourished in those half a decades when the mine was active and where 800 miners lived in prosperous mining settlements. It is now almost a ghost town with nothing but memories of the good times 60 years ago. The last remaining mine worker in Kalna, who was a locksmith in the mine at the time, Hranislav Grujić, and who is now in his late 80s, remembers the good times: "When we pass the tavern, the waiters laugh: "Here are the miners; it's going to be a good day!"

But there were incidents as well; after all, working with the yellowcake is not the safest job in the world. He remembered the time he was in contact with the ore: "They bathed me with a hose in a special chamber, and they set fire to all of my clothes. I was sent on paid leave for two weeks, even though I felt fine. I just had a bit of a headache and felt faint. But it was nothing terrible, really."

At the entrance of Svrljig (Сврљиг, cyrillic) town

Anyhow, 'Uranium Bike Tour', the cycling route we lovingly named, is actually not for the faint of heart. And when I said it, I meant it literally. With a huge elevation change along the way and maybe a slightly longer route than usual, it requires endurance and strong muscles as well as professional equipment. At the end, it demands commitment and love for this kind of achievement. When we were on the path for the first time, somewhere in the middle of the journey, Viktor asked me how I felt. After all, I am not in my prime years, and he wanted to know if I was okay. It was a simple question, and I wanted to give him a good answer. So I thought about it a little longer than usual.

"I feel free", I said.

And that's the simple truth of how I feel when I get on my bike and ride into the countryside outside the city.

Camera Obscura

Perhaps it's a little weird for me to begin an article with a glimpse of a romantic movie, but I can't think of a cooler way to start today's topic. When I came up with the idea to write about "Camera Obscura", the first thought that came to my mind was a movie from 1997 called "Addicted to Love". Of all the movies in this genre, only a few are at the top of my mind, and this one, directed by Griffin Dunne with Matthew Broderick and Meg Ryan in lead roles, is definitely the best one I remember. In short, Sam, an astronomer who, in an attempt to win back his girlfriend, turns his astronomical tools into specific spy equipment and, by using his dark-chambered pinhole camera, manages to observe what is happening in the building across the street in real time. What he used to achieve this is a principle behind Camera Obscura—a method to project the light through a small hole and create an image on the opposite wall inside a dark room, tent, or box. Something first observed and described by Mozi, a Chinese philosopher, around 400 years before Christ.


AstroMedia 'The Sun projector' cardboard kit

To better understand what camera obscura really is, think of an eye—a small, almost spherical chamber where light enters via the cornea and through a small pupil, with the iris controlling how much light enters the eye. Light then passes through a lens, which can change its shape to focus the image. The image is projected through a transparent, gel-like substance to the back of the eye (retina and macula), which contains light-sensitive cells. The light travels in straight lines from its source, and because of this, the image is formed flipped and upside down. However, the brain receives the image via the optic nerve and interprets the scene correctly.

Just like in the movie and inside the eye, we could also create our own camera obscura, which in Latin means "dark chamber." Imagine a large room completely darkened by, for example, placing cardboard sheets over the windows with a small, shaped pinhole in the middle of the cardboard. The light from the outside will enter and paint a great image on the opposite wall of the objects from the exterior. Upside down and flipped, but that could be fixed by utilizing a couple of mirrors. Check below in references for the tutorial made by PetaPixel*, an online publication covering the wonderful world of photography, or many other DIY videos from YouTube. There was also a camera obscura exhibit made by Robyn Stacey**, an Australian photographer and visual artist, that turned the Australian city of Brisbane on its head in stunning photographs.


Convert your room into a giant Camera Obscura by PetaPixel*

Today, as a continuation of the small astronomy thread on MPJ, I had my hands on a second AstroMedia kit (of three), and this one was made with the camera obscura principle for observing the Sun, its sunspots, planetary transits, and eclipses. Despite its size, it was surprisingly quick and easy to put together, or more likely, I am becoming much more experienced with paper gluing. :-) Surely, compared to the previously assembled Galilean telescope replica, it was easier to paste more non-round parts than before with the telescope's multiple tubes. Nevertheless, the Sun projector surprised me with its rather large size.

However, the kit is not an ordinary pinhole camera. Instead of a simple aperture of the camera obscura, the solar projector has a lens and two convex mirrors to choose from that work together like a Galilean telescope from the previous post. It is designed to provide higher magnification, and a plane mirror redirects the image to a comfortable viewing position. Best of all, it has a cardboard-made Dobsonian base and can be adjusted to any height between 0° and 90°. Furthermore, on both sides, there are quarter circles with degree scales, which determine the angle between the position of the sun and the horizon, which helps in calculating the height of the sun. With additional apertures, it is possible to reduce the opening and amount of light that enters the box. Smaller apertures can make sharper images. It's a surprisingly comprehensive astronomical tool.


Phases in assembling the Sun projector

To be honest, I was a bit skeptical that all the parts were glued perfectly and aligned for the light to be beaming exactly from the objective lens through the convex mirror to the plane mirror and toward the white screen, but the "First Light", as the astronomers like to call the time of the first observation with brand-new equipment, showed the Sun disc amazingly clear and focused. Now I have to wait for the next eclipse to test it with, which will be in March 2025. Or for the next Mercury transit nine years from now. Unfortunately, the transit of Venus will not happen again in this century. In the meantime, I will definitely play a little more with it and test all its features, including observation of landscapes, as in the summer there is plenty of light, so stay tuned for more information about all it can do.

Unrelated to this project, it reminded me that observing the sun could be very interesting and enjoyable. Once, when I was watching the Sun through the reflecting telescope with a solar filter, a plane transited the Sun disk at the same moment as my observation of one of the previous Mercury transits, and it was so intense, to say the least. Imagine watching Mercury slowly pass through the sun's disk when suddenly the black shadow of an airplane passes the disk in less than a second. I was stunned for a moment, trying to comprehend what exactly happened. I would probably still be puzzled by the event if the airplane hadn't left a contrail behind it, which stayed for a while in the field of view along with small Mercury and a couple of sunspots.


Details from the Sun Projector's "First Light"

Amazingly, Camera Obscura could be dating even back to the past, all the way to the prehistoric settlements. There are theories that prehistoric tribe people witnessed the effect through tiny holes in their tents or in screens of animal hide, which might have inspired them to start with cave paintings. It was not away from logic that they would intentionally make the pinholes in order to monitor the exterior for potential dangers from within their shelters.

Anyhow, it was fun building the kit as well as writing about it. Nature is definitely full of wonders, even with something so simple to test, build, and understand, like it is with monitoring light behavior within a camera obscura. By using the same principle, it is possible to make a small projector that uses a light from a smartphone to project it on the wall, and even the additional mirror is not required if the smartphone is positioned upside down in the first place. We played once with that as well, and the result is in the refs below.

Galilean Telescope (AstroMedia cardboard kit #1)
https://www.mpj.one/2023/07/galilean-telescope.html

What Do Jupiter and Mercury Have in Common?
https://www.mpj.one/2019/11/what-jupiter-and-mercury-have-in-common.html

Transit of Mercury
https://www.youtube.com/watch?v=e2yuXbUdj6o

Shoebox Projector
https://www.youtube.com/watch?v=WAsvUbysEk8

Ref:

Galilean Telescope

The knowledge and manufacture of lenses were known since the time of the old Greeks (the word "optics" came from the Greek word ὀπτικά, which means "appearance") and later in the old ages with Egyptian scholar Alhazen, who made important contributions to the study of optics in general. In Europe, the lenses arrived around the 13th century and immediately triggered the invention of the first eyeglasses. However, one important discovery had to wait three centuries later in order to set off a wave of new discoveries in the field of astronomy. The invention was made by Hans Lippershey, the spectacle maker from the Dutch city of Middelburg in the Netherlands, who in October 1608 tried to apply for a patent for a tool he described as an aid capable of "seeing faraway things as though nearby". It consisted of convex and concave lenses in a tube capable of magnifying objects three or four times. For strange reasons, the patent was rejected, but the new instrument immediately attracted attention. Now known as a spyglass, the invention ushered in a new era in astronomy and was the foundation of today's refracting telescopes.


Cardboard replica of the original telescope made by Galileo

Only half a year later, in the early summer, Galileo Galilei at the University of Padua near Venice started to build his first telescope based on the one Hans' made. He managed to design and build telescopes with increasingly higher magnifying power for his own use as well as for presents to his patrons. Galileo was a skilled instrument maker, and his telescopes were known for their high quality. Just like the initial spyglass from the Netherlands, his first telescope was basically a tube containing two lenses, but he managed to enhance the power that magnified objects approximately nine times with his first designs.

Even though Galileo perfected the manufacturing of lenses and telescopes—in later years he managed to produce over a hundred telescopes, some of them with magnifications as high as 33—only two have survived and can be seen in the Museum Galileo (Museo di Storia della Scienza) in Florence. One of the two, especially designed for Cosimo II de' Medici, Grand Duke of Tuscany, with gold-embossed leather, probably had (with initial lenses from the end of 1609) magnification power of around 20. The limiting factor of these early refractors, especially those with higher magnification, was their small field of view, but still, it allowed Galileo to see that the Milky Way is just a multitude of millions of stars and that the Moon's surface was not smooth and perfect but rough, with mountains and craters whose shadows changed with the position of the Sun. He saw the phases of Venus throughout the year and the most interesting fact that planet Jupiter was accompanied by four tiny satellites that moved around it with distinctive proof that not everything in the heavens revolves around the Earth.


Phases in assembling Galileo's historical telescope

This particular gold-embossed leather telescope from the Florence museum was the model for the AstroMedia cardboard replica kit I got my hands on last weekend. It was advertised as "With this historically accurate cardboard replica, you can experience firsthand the great research achievements of Galileo, which he achieved despite the optical performance of this telescope, which is modest by today's standards". All I could say after two days of carefully pasting pieces of paper one after the other was that I couldn't agree more, especially at the last moment when I pointed it to the one-kilometer-away sign of the neighboring shopping center and clearly read what it said. I can only imagine where Galileo pointed his first telescope and what his initial reaction was.

While Galileo did not invent the telescope in the first place, his contribution toward their use in astronomy and science earned him two phrase coins: Galilean telescopes, which now represent a popular name for a refraction telescope type, and Galilean moons, now referring to the first four of Jupiter's natural satellites.


Jupiter's moons as seen through modest reflecting telescope compared to the view
from a small refracting spyglass similar in size to Galileo's original telescope

Unfortunately, I cannot make any astronomy photos with this replica; after all, it is made of cardboard, and fixing it on the moving sky is a mission impossible, not to mention its extremely small field of view, which is perhaps less than a centimeter in apparent terms, which would provide only troubles for focusing the camera through it. For these reasons, I decided to embed a photo of Jupiter's moons as seen with a modest reflecting telescope (the one you can see in the background of the first image above). Below you can find a link to the YouTube video of the entire event we created a couple of years ago when Jupiter was close to Earth. In the upper right corner of the photo, I also included a small view of how Galileo might have seen Jupiter and its four large moons. It is what can be seen with a decent refracting spyglass or powerful binoculars, which, in terms of magnification power, stand at the level of Galileo's scopes.

Camera Obscura (AstroMedia cardboard kit #2)
https://www.mpj.one/2023/07/camera-obscura.html

Jupiter Moons (zviktor22):
https://youtu.be/VTEsXEx-tnE

Ref:
https://astromedia.de/Das-Historische-Galileo-Teleskop
https://catalogue.museogalileo.it/index.html

The Prequel to the Prequel’s Prequel

Hmmm, I think I got that title wrong. I wanted to write something catchy, but obviously language puzzles are not really my thing. In the case of Star Wars storytelling backwards in time, this triple 'prequel' looks fine, but again, if I put all the main Jedi characters of various ages in chronological order, i.e., something like this: Gella > Avar > Anakin > Luke > Rey, then it does look like I missed one more word, 'prequel,' in it. Or... well... if we consider Rey's story to be the only sequel to the first prequel's main story in this thread, which started with "A New Hope", the very first movie of the franchise that initiated it all... then I could be correct after all. Right? Oh, darn it, let it be... So, let's explore the latest prequel in the galaxy far, far away and long time ago, minus 150 years.


Minus 150 years means 150 solar cycles of Coruscant, the capital of the Republic, an entire planet evolved into one giant city before Phase I in the Star Wars canon, described in the books, started with "The High Republic: Light of the Jedi".  Phase II consists of two (adult) books, "The High Republic: Convergence" and "The High Republic: Cataclysm", and it is placed officially around the year 382 BBY (382 Coruscant years before the battle of Yavin within "A New Hope").

After finishing the books, I couldn't shake the same feeling I had after watching "Rogue One: A Star Wars Story". Due to the early history of VFX in creating the movies, the very first trilogy came, from this distance, not visually great and had a hard time conjuring the "wars" part from the title. Don't take me wrong; when I was young and saw "A New Hope" for the first time, I watched it with my mouth wide open almost the entire duration of the film. The second trilogy jumped into the trap of using too many visual effects, which, as a result, looked more like a fairy tale than anything else. The latest trilogy came to fix things a bit, but still, in my mind, only "Rogue One" rendered the war as it should be—as a brutal and believable one with tremendous action and a fabulous ending. In the world of the "Star Wars" books that belong to the same franchise canon, "The High Republic: Cataclysm" provided the same feeling as "Rogue One" once did. The latest book fully justified the entire "Star Wars" premise. There were moments during the reading that I couldn't believe that words alone were capable enough to portray the battle of such epic proportions using only the reader's imagination and nothing more.


Behind the pen of the latest novel was Lydia Kang, and compared to the prequel book and those three from Phase I, "Cataclysm" is perhaps the best of them all. Sure, Lydia's storytelling is perfect with lots of characters well described, but she was in luck—the story that ended the first phase of the High Republic era had it all: the already mentioned fast-paced action described in great detail, interesting and respectable villains, and multiple storylines from protagonists belonging to the "good guys" (or to the Light side of the Force, to be exact), including both the Jedi and people originating from the Republic forces and those from planets Eiram and E'ronoh, whose backstory is the backbone of the entire phase. If we add young(er) Yoda and Yaddle fully included in the story, the author really had an easy task to pack one of the most interesting Star Wars books to date.

Surely, the end is not concluded, and we are left with many loose ends on both sides (villains and heroes), but that was to be expected. As hinted in previous books, the Leveler (a Nameless species), with the ability to overwhelm force-sensitives and nullify their connection to the Force, is something I am sure we will encounter again in the future. The future of Star Wars canon, that is, as it is absent from the movies, and I guess their fate will be resolved in the void after Phase 2 and the Battle of Yavin, or the time described with 0 BBY. 


To me, one of the most interesting facts after reading all five Star Wars adult books from the High Republic times and those I also read that don't belong to the canon or directly to the official franchise was the need to picture all the species from the galaxy far, far away. The history of watching movies helped a lot, but I definitely needed to do a little research to find out what all the species look like to allow my imagination to be as accurate as possible while reading.

The images I chose to illustrate the text of this blog story are not entirely accurate, as they belong to different Star Wars concept arts, but the High Republic stories are still very young, and we will have to wait for the future movies for more photographic details. I, for one, would definitely want to see at least one movie dedicated to these events in the upcoming years.

Saronic Islands with Rackpeople

I have no sailor material in me. At all. I don't mean qualified skills that are fascinating and easily acquired through study and experience. I mean literally and physically, my body is simply not built for the navy. I realized that when I entered those 4D/5D theaters for the first (and last) time, about a dozen years ago. I remember anxiously waiting for that sophisticated motion ride system built into movie theater seats to come to my city, and when it finally arrived, I was among the first in the ticket line... And I was the first to get out of the small theater with a terrible motion sickness thundering throughout my entire body. I should have guessed what was going to happen after seeing the title of the short film had the word "rollercoaster" in it. I fully recovered more than 24 hours later. After that, I never stepped into any movie theater with more than a 3D label on its front gate. Sometimes, even in those, I check if the chair is fixed solid.

To be honest, I knew the outcome would be like this because it has happened to me many times at sea during summer vacations, and every time I promised myself the dancing boat floors would never see my foot again. However, in my case, it's just that all those self-promises are easy to reject when new experiences and adventures knock on the door. In that spirit, when my good friend Lasse, the head of Rackpeople, one of the leading IT companies in Copenhagen, asked me to join the cruise around the Saronic Islands this May in Greece, without thinking, I said yes. How could I say no to seeing all the wonders of the Saronic Gulf, its crystal blue waters, the amazing history of Ancient Greece, and the place where Themistocles' outmatched fleet defeated the forces of King Xerxes and drove the Persian army back to Asia, never to try again to conquer the Greek mainland?⁣

Bastions with old cannons at the Hydra entrance

The cruise started on the island of Hydra. I boarded a catamaran yacht, medium-sized but impressive in every way. Fortunately for me, the first two days of the cruise passed with extremely calm seas and enjoyable spring weather, which is usual for the Saronic Gulf at this time of the year. As for the island itself, two things immediately caught my eye. The residential area is so compact that there is simply no room for any type of motor vehicle, and by law, cars and motorcycles are not allowed (except for garbage trucks). To travel outside the port town, the only means are horses, mules, donkeys, and water taxis. The second site was bastions on the port entrance with lots of cannons still pointing toward the sea. They originated in the 18th century in order to protect the island from assault by the Ottoman fleet and pirates during the Greek war for independence.

At first, I thought that the island's name was connected to the legendary myth of the Lernaean Hydra, the multiheaded water monster who was slain by Heracles in his second labor, but unfortunately, very little is known about the ancient times of the island. The name in Greek is simply derived from the word "water" (ὕδρα). Although, in classical Greece, Lerna was a region of springs and a former lake near the east coast of the Peloponnesus, which is close to the island of Hydra, just across the strait, and in ancient myths was represented as one of the entrances to the Underworld.

The view from Poros Clock Tower

The next destination, and where we spent the first night, was the well-known tourist destination, the island of Poros. It lies on the other side of Argolis, the eastern part of the region of Peloponnese, where it acts as the Saronic Gulf's southern arm. The Poros' main port is separated from the Peloponnese only by a 200-meter-wide sea channel, and my main impression in the morning was that of the poor little ferry, which is breaking the perfect silence connecting Poros with the town of Galatas across the strait every half hour. Sometimes carrying only a couple of people across. I'm sure a future bridge would be something worth building.

Fortunately, and I mean it when I say it out loud, we had ex-Royal Danish Navy sailors at the helm of every boat. If it weren't for them, we wouldn't have running exercises in the morning, and if we hadn't had a morning run, we wouldn't have passed through the phenomenally narrow streets of the small town that stretch through the entire hillside by the marina. Running (and sometimes walking while catching our breath) down and up the small streets and countless stairs from the harbor to the famous clock tower made me think and better understand the life in such small towns where you can feel the ease of living life to the fullest.

Rackpeople at the Moni island and photos from the mainland

The next day was absolutely the best one on the cruise. It started with the sailing competition between the two boats. In the best spirit of the teambuilding activity, we competed in sailing between Poros Marine and Moni Island, the strange islet in the middle of the Saronic Gulf that absolutely hates humans, but let's get back to that later. One would think shutting the engines down and sailing at a speed of, on some occasions, less than one nautical mile per hour and sailing only by using maps, compass, and wind arrow is ridiculous, but it is the complete opposite. It requires full team effort and cooperation, just like in tech companies, and it was one amazing experience. From the navigation part, through speed and time tracking, steering the ship, and hard work with two sails, everything had to be synchronized and precise, and when inexperienced IT people do it, the result is exceptional and filled with all possible sailing phases, from challenges in understanding the basics of sailing and navigation to all the comical moments we went through but also all those proud moments when you realize you've done something right.

As for the Moni island, half of it is rocky and barren, but what was most interesting was its other half. The only inhabitants of that part are a family of wild peacocks, deer, wild goats, including Cretan ibexes, and, of course, many squirrels. Humans are limited to the only seasonal beach accessed only by sea, including us that day. The animals are not afraid of humans and wandered free even on the skirts of the forests, where ruins of humans's attempts to inhabit the Moni are visible all over. The old men of Aegina Island across the bay tell various stories about the history of the island that always include curses, inexplicable destructions, three fires, and an ongoing struggle between the divine forces and human stubbornness. Telling in whispers, they say that always when people tried to inhabit the island, no matter if that was in the Byzantine period when they tried to turn the island into a dairy farm or during the 1970s, when the island served as an organized camping spot, it always ended in large fires that devastated the little island to the full.

The spirit of Rackpeople after a long but a great day

But the sightseeing of the Moni after the cruise competition wasn't the end of the day. It continued with one amazing lecture given by Erik, the second ship captain, about leadership, relations between competence and confidence among team members, and all the connections between tech companies and sailing. The epilogue of the competition itself was unclear and ultimately not important; what mattered the most was great spirit and team-building closure, which ended in singing popular songs led by the first ship captain, Lasse, who surprised us all with his musical talent, which was not left unrewarded even by the people on the neighboring yachts with thunderous applause.

Unfortunately, in the spirit of the Moni Island hatred for people, that night came really nasty weather from nowhere. In the morning it turned into a small windy rollercoaster that woke me up with the first sunshine. I came on deck to find a spot where I could pass it as best I could, but soon it was the 4D movie theater all over again. Only this time it lasted several hours, and I sadly realized that the cruise for me is over, as I knew I would need more than a day to recover. After a couple of hours of 'pros and cons' measuring, with great regret, I opted out of the remainder of the trip. After all, being on the boat is all about being part of it; otherwise, it is something else entirely.


The Seaview from the hotel Methanion

At the next marina, a taxi took me to the nearby port town of Methana, where I missed the last ferry by an hour, so I went straight to the first hotel, where I took the night to recover. There, I witnessed a warm hospitality by the hotel owner, something I only felt before in Greece, especially in my childhood when we were visiting the country frequently on family vacations. Serbia and Greece have had this unusual friendship between the two countries from time immemorial. There was no part in the history of the two countries with any animosities between the two, let alone any conflicts or wars. So it's always nice to see a genuine smile on people's faces when I say where I am coming from. Anyhow, when she heard I am Serbian, with the warmest smile, she said, 'I will give you the best sea view in Methana'. And the best it was.

It turned out Methana is not an island at all. The best I could describe it is a 'wannabe island' peninsula. It has an island shape but is connected to the Peloponnese with a narrow land bridge. Methana is entirely of active volcanic origin, with the last eruption occurring in the 3rd century BC. Due to the pressure of the plate of North Africa, which slid under the Asia and European plates, there were active tectonic movements on the line of the Aegean islands, which include Methana, Milos, Santorini, and Nisyros. As it seems, the future of volcanism in Greece is not yet written, and Methana is one of the volcanoes that unfortunately has not yet said its last word. The last great eruption in Greece was the Minoan super-volcanic catastrophe that reshaped the island of Thera in the middle of the second millennium BC and devastated the entire Mediterranean for years.

Aegina port seen from the ferry

As a central island of the Saronic Gulf, Aegina shared the rich history of ancient Greece with other independent states. It was inhabited since the Neolithic and was at the peak of power around the 7th century BC and after, due to its strategic position. The Aegina economy was strong and competed with Athena with silver coins as a currency recognized in other states. They were rivals for many years, and Aegina even made a close collaboration with Persia until the battle of Salamis (480 BC), when the island ultimately sided with Themistocles. The rest of the history of Aegina's independence was full of turmoil, but its glory at the end faded out through numerous invaders and occupations in the face of Macedon, Romans, Venice, and Ottomans. Today it is a holiday and weekend resort for Athenians and tourists worldwide. Just next to it, Agistri, a small pine-clad island with pristine beaches and crystal-clear waters, shared the history of neighboring Aegina Island and considered being part of its statehood. It was unfortunately not a part of the cruise. Perhaps in the years to follow.

Finally, and historically, the most famous island is Salamina, where the already-mentioned battle of Salamis took place two millennia ago. It is the largest Greek island in the Saronic Gulf, and due to its close proximity to Piraeus, it is not the best choice for vacation time. If we add the fact that the northern part of the island is a home for the largest naval base of the Hellenic Navy, it is clear that the island is not as popular a tourist destination as the other islands, but it is far from lacking destinations worth attention. If I happen to visit it in the future, on the top of my list would be monuments dedicated to Salamis' ancient battle and the Cave of Euripides, where the playwright Euripides came to write his tragedies. The man was described as a misanthrope who avoided society by lurking in that cave, but even so, his 19 plays that survived the time since then are still performed and studied today over the distance of more than two millennia.

Concept art of the Battle of Salamis by artist Court Chu*

If I were to try to sum up the past week and describe my first cruise longer than a day in three words, it would definitely be "an extraordinary experience". Especially the part about learning new things about sailing and trying to be part of a team in close cooperation with colleagues. Being in Greece for the umpteenth time is also special to me, and having the opportunity to talk to locals is another dimension of the travel. Spending most of the time at sea limits that part of the experience, but in this case it was intentional and focused on teambuilding, which is perfectly fine. I am sure there are many methods to achieve this, and sailing is definitely among the top five.

Interview With a Teenager

There are many periods in one person's life. To me, they all seem distinct from each other. Referring to those farthest in the past, in my mind, it was almost like they didn't really happen to me. Some of the choices I made before, from this perspective, looked like some other person made them on my behalf. Especially in the first couple of decades. But that's the point of growing up and all the changes that happen from early youth to adulthood. Later, we are left with tons of memories that we look back on most of the time with a smile on our faces, sometimes with a little sadness or shame, and once in a while with a confused look as if it happened at all. But one thing is certain: everything that happened, exactly how it happened, defines us as we are today.


Viktor, testing the drums before 'Some Like It Hot,' theatrical play

Of them all, no single period in life compares to the one called the teenage years. I remember those years. Vividly. If I could choose just one phrase to describe all that's happening during those seven years, it would definitely be 'trial and error'. It was just like tasting the life that was thrown at me for the first time. Understanding it. Embracing it. Maybe a little changing it on the way.

But enough about me; the rest of this post is about my son Viktor and the continuation of the 'Interview' series, started with him being seven and ten years old in 'Interview With an Expert' and 'Interview With an X'. Anyway, these are 15 questions for his 15 years I selected to ask him today. I'm really proud of all his answers and his way of thinking. 

Describe yourself in 5 words or less.
Determined, ambitious, loyal, generous, and honest.

What's the best part of your day at school? Why?

P.E. and all of the breaks in between subjects. Because I get to talk to my friends normally and rest a little bit.

If you could invite three people, living or dead, to your birthday party, who would you choose? What would you talk about?
Einstein, Jesus, and my father. We would question Jesus.

Imagine you’re the president, and you need to have 3 people to assist you. Who would you pick and why? 
I'm not really into politics, so I don't know whom to pick.

What have you learned in life that you feel will be the most useful?
Motivation isn't real, but discipline is. Try to be as optimistic but as realistic as possible. Never give up.

If you could change anything in the world and make it idealistic, what 3 things would it be and why?
I would get rid of all the governments; there would be no more countries, and everyone would speak the same language.

How would you explain Earth to aliens?
I think there is a lot of diversity to this question, but let's say in the case that we come to them. I would most likely try in some way to use physics, math, and chemistry to explain Earth.

Do you think it's better to have one great skill you're an A+ at, or many skills you’re a B at, and why?
This question is very easy because if you had only one skill that you are A+ in, then the rest of the skills would not be so great... So that is horrible... I would rather have many skills that I'm a B at. I could easily improve in skills that I like. And I also have a lot of options if I ever change my mind.

Imagine you're the teacher tomorrow at school. What are 3 things you'd teach that you think would help make school better?
Self-defense, how to be a better person, and showing the kids the real world.

How would you explain the word 'love' to someone without using the word 'love'?
Umm... Make this with my hands. 🫶

What is the most important thing you learned in school NOT taught by a teacher?
The world isn't black or white. It's gray.

If you could travel back in time 3 years, what advice would you give yourself?
Make me proud.

If you could grow up to be famous, what would you be famous for?
I would be famous for motivating other people to become the best version of themselves and showing how to really be successful.

If you had enough money that you never had to work, what would you do with your time?
There is no money in this world that would make me not work.

What do you think your life would look like 10 years from now?
I hope I will be successful in the future and be more capable.

So there you go. When selecting the questions, I knew they should not be too detailed or too serious. Nevertheless, they were supposed to be appropriate for the age, and to make sure, I performed a little research first to find the right ones, which I thought were the most suitable. Sometimes, even the shortest answer to an apparently entertaining question shows a lot.

I wonder, if I had a chance, how I would answer them back then. Hopefully not too different.